WILL STONE samples the 20th anniversary atmosphere of this eclectic end-of-season indie festival
GRACE NICHOLS’ beautiful new collection Passport to Here and There (Bloodaxe, £9.95) is a kind of autobiography in verse.
The first part is about growing up in Guyana, where Nichols meets the ghost of her childhood, “running/with slipping shoulder-straps/and half-plaited hair/beside a brown expanse/of memorising water/and the mellow faces of wooden houses/half-hidden by a weave/of coconut, mango, guenip trees.”
There are some perfect poems here about adolescence, notably Confirmation, Spirit Rising and Sweet Fifteen: “If the leaves of my memory serve me — /That was the year my hair went beehive/the year of the kiss, touching smugly/in the mirror my bee-stung lips.”
Chris Searle speaks to British pianist ZOE RAHMAN
DIANE WATT argues that while evidence of sex is not there, a 16th‑century lesbian poet could be Scotland’s answer to Gentleman Jack
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
ANDY CROFT welcomes the publication of an anthology of recent poems published by the Morning Star, and hopes it becomes an annual event


