MATTHEW HAWKINS contrasts the sinister enchantments of an AI infused interactive exhibition with the intimacies disclosed by two real artists
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Murderous consequences, from the Outback to Massachusetts
ANDY HEDGECOCK relishes a graphic portrayal of the corrosive impact of commodification, but can’t sympathise with the characters
New releases from Van Morrison, Tyler Ballgame, and Dry Cleaning
RON JACOBS welcomes a timely history of the Anti Imperialist league of America, and the role that culture played in their politics
STEVE ANDREW appreciates a passionate account of the Scottish Club during the ‘lost decade’
By telling the story of a lawless frontier town from the point of view of the Lakota, Chinese labourers, prostitutes and displaced prospectors, makes for a potted history of capital, suggests ALEX HALL
THE VAST cattle properties of the Australian Outback is the setting for The Lost Man by Jane Harper (Little Brown, £12.99).
In empty areas the size of British counties and in burning, never-ending heat, if you wander away from your vehicle you will die. There are no landmarks, no phone reception, no shade, no water and the nearest neighbours are hours away.
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Ben Cowles speaks with IAN ‘TREE’ ROBINSON and ANDY DAVIES, two of the string pullers behind the Manchester Punk Festival, ahead of its 10th year show later this month
Read Sisters, the journal of the National Assembly Of Women, below.
ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
CAROLINE FOWLER explains how the slave trade helped establish the ‘golden age’ of Dutch painting and where to find its hidden traces