MARJ MAYO recommends a lyrical and disturbing account of the tragic suicide in Venice of Pateh Sabally, a refugee from the Gambia
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Murderous consequences, from the Outback to Massachusetts
In the face of Trump’s brutal aggression, DODIE WEPPLER and TRISH MEEHAN invite you to share some of the masterpieces of Cuban cinema
ANDY HEDGECOCK recommends an unflinching analysis of the billionaire class that celebrates collective resistance to it
MARIA DUARTE and ANGUS REID review The Bride!, The King’s Warden, Sound of Falling, and Mother’s Pride
CHRIS SEARLE speaks to Nicaraguan guitarist OMAR RIOS MELENDEZ
SIMON PARSONS applauds an outstanding one woman show that weaves real poems and narratives into the story of one girl’s flight
THE VAST cattle properties of the Australian Outback is the setting for The Lost Man by Jane Harper (Little Brown, £12.99).
In empty areas the size of British counties and in burning, never-ending heat, if you wander away from your vehicle you will die. There are no landmarks, no phone reception, no shade, no water and the nearest neighbours are hours away.
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Ben Cowles speaks with IAN ‘TREE’ ROBINSON and ANDY DAVIES, two of the string pullers behind the Manchester Punk Festival, ahead of its 10th year show later this month
This is poetry in paint, spectacular but never spectacle for its own sake, writes JAN WOOLF
In an exhibition of the graphic art of Lorna Miller, MATT KERR takes a lungful of the oxygen of dissent
JOHN GREEN surveys the remarkable career of screenwriter Malcolm Hulke and the essential part played by his membership of the Communist Party