MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
Moscow Monumental
How architecture transformed the Russian capital into a modern metropolis
Moscow State University remained the tallest building in Europe until 1997
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China
JOHN GREEN is fascinated by a history that excavates the enormous role played by agricultural workers in recent times
ALEX HALL recommends a book that places empirical evidence at the heart of understanding racism
CONTRARY to the popular image in the West of a dull, grey and brutal USSR, in Moscow Monumental Katherine Zubovich reveals how the general plan for the city in the 1930s aimed to improve standards of living, deal with the housing crisis, provide new amenities to Muscovites and beautify a city of “narrow and curving streets with dozens of lanes and dead ends.”
The architecture of Moscow — and my one criticism of the book is that it’s not well served by the small and grainy photos illustrating the text — goes beyond the typical tourist pictures of Red Square and onion domes. Changing styles mirrored the growth and development of a new nation.
The Palace of the Soviets was planned as a 100-storey skyscraper topped by an 80-metre-high statue of Lenin. Futuristic features such as automated cloakrooms hint at the ambitions of the Soviet Union to come, a nation that had big dreams of an evolution from peasant state to the superpower that put the first man in space.
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