STEVE JOHNSON recommends a protest album with a harder edge than many in the genre
‘That moment where everything feels fine and other-worldly’
JAMES BRANDON LEWIS talks to Chris Searle about the the state he's seeking on his new album Molecular
James Brandon Lewis
DENNIS BROE finds much to praise in the new South African Netflix series, but wonders why it feels forced to sell out its heroine
CARL DEATH introduces a new book which explores how African science fiction is addressing climate change
In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
MATTHEW HAWKINS is mesmerised by a performance that dissolves the line between audience and performer
MATTHEW SHARPE recommends the essays of a Renaissance politician that instruct and unnerve after 400 years
JAMES BRANDON LEWIS is an inventive and freedom-seeking tenor saxophonist, whose surging patterns of sound resonate all through the new album Molecular he’s cut with his quartet.
From an early age, he became interested in all the jazz greats: “Parker, Coltrane, Rollins and Ornette -— I love the whole continuum,” he tells me, “I loved the emotion they provoked.
“If the music connects, then the genre doesn’t matter. I loved my hometown saxophone heroes Grover Washington and Charles Gayle and I gravitated to Joshua Redman as he was extremely popular. I was curious to know who he was checking out, which led me to Gene Ammons and countless others.”
More from this author
CHRIS SEARLE speaks to Chris Laurence, bassist and bandmate of saxophonist TONY COE
CHRIS SEARLE speaks to vocalist Jacqui Dankworth
CHRIS SEARLE pays tribute to the late South African percussionist, Louis Moholo-Moholo
Re-releases from Bobby Wellins/Kenny Wheeler Quintet, Larry Stabbins/Keith Tippet/Louis Moholo-Moholo, and Charles Mingus Quintet
