This year’s Venice Biennale marks a major shift in European cultural politics suggests CLARE CAROLIN
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A memory lane like no other
Neil Hannon songwritting has withstood admirably the often cruel passage of time, writes JAMES WALSH
Neil Hannon at the Barbican aided by an orchestra and some very fine musicians
[Carmen Fishwick]
ANGUS REID applauds the potential of an ambitious show about Gaza, and encourages it to keep its nerve
MATTHEW HAWKINS considers the opening offering at the National Festival of Korean Dance
ANDY HEDGECOCK welcomes an effective and entertaining overview of those who see erroneous ideas as self-evident truths
KENNY MacASKILL welcomes that rare thing: a readable analysis and explanation of the capitalist economy
The world of fake news, where people don’t believe what they are fed, will lead to a demand for authenticity, suggests PAUL DONOVAN
The Divine Comedy
Barbican, London
“MAYBE it’s tonight. Maybe tomorrow night, next week, next month, next year / We’ve only time to fear”
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