MARIA DUARTE recommends a remarkable study of the friendship between a Palestinian and a Pakistani, broken by a hostile state
THE brilliantly original Bristol-born pianist, Keith Tippett, has been cutting extraordinary albums since his first, You Are Here… I Am There in 1969 when he was 22. So the reissue of his neglected 1979 classic solo album The Unlonely Raindancer is a significant jazz moment.
It was recorded during a 1979 tour of the Netherlands. I asked him about his pathfinding life in music, and the now-times relevance of the record.
“My parents met in the war. My dad became a policeman and my mum was southern Irish and a housewife. At home I heard all kinds of music — western classical, church choral and brass bands. My grandad lived with us and played piano with a beautiful touch. I began to learn when I was six or seven years old.
CHRIS SEARLE relishes the genius of pianist Alexander Hawkins, his many ensembles, and his new album
CHRIS SEARLE speaks to US saxophonist CAROLINE KRAABEL
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
CHRIS SEARLE speaks to Filipino-US saxophonist JON IRABAGON about the threat of AI in the time of Musk and Trump, and how an artist can respond



