GORDON PARSONS is bowled over by a skilfully stripped down and powerfully relevant production of Hamlet
Marxist turned crime writer
PAUL BUHLE introduces a black US novelist whose fiction explores the complex subculture of the mixed-race working class of Cape Cod
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The Man Who Changed Colors
Bill Fletcher Jr, Hard Ball Press, £13.45
DASHIEL HAMMETT, the key writer in the 20th-century detective novel both in print and in screen adaptations of his work, had it right. “The Butler Did It,” the answer to the mystery in a 19th-century British novel, had the logic of the real-life crime upside down. It was the banker or the real estate developer or the police chief who did it and mostly got away with it.
Hammett, a militant anti-fascist and sometime lecturer at New York’s lefty Jefferson School, was blacklisted in Hollywood, although his novels could not be banned any more than audiences could be kept from watching “The Maltese Falcon.” Such is the fate of the Detective Left.
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The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
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ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
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A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
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ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
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MAT COWARD picks the jewels, new and old, from the endless crime scenes of fiction
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Chris Searle speaks to singer CARMEN SOUZA
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ANDY HEDGECOCK celebrates the way that US writers have always used crime and sci-fi to explore and express dissident ideas
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ANDY HEDGECOCK applauds the reissue of a 1935 classic that offers frank and incisive insights into working-class life in 20th-century Britain