MARIA DUARTE, LEO BOIX and ANGUS REID review Brides, Dead of Winter, A Night Like This, and The Librarians
Lest we forget
Massive emotional tribute to anti-Nazi heroes
Brest Fortress Memorial
[Lena Armstrong/Creative Commons] ![REBELS: Ebada Hassan and Safiyya Ingar in Nadia Fall’s powerful debut feature Brides [Pic: IMDb]](https://msd11.gn.apc.org/sites/default/files/styles/desktop/public/2025-09/round%20up%20web_0.jpg.webp?itok=41xI6jhN)
MARY CONWAY recommends an early Shakespearean tragedy that feels so contemporary that it mirrors our daily news
A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin
DAVID NICHOLSON recommends a dazzling production of Bernstein’s opera set in a world where chaos and violence are greeted by equanimity
MARY CONWAY is frustrated by a new play that loses its drama amid the moral dilemma of re-settling children in the aftermath of WWII
Acclaimed as a masterpiece when it premiered, this study of story-telling in an Irish pub more than lives up to expectations, says MARY CONWAY
SYLVIA HIKINS relishes a comedy that dives deep into Liverpool’s divided loyalties
Brest Fortress Memorial, Belarus
ON SEPTEMBER 18, 1971, just over 30 years after the momentous if doomed defence of the Brest fortress by the Soviet Red Army against Nazi invaders, a memorial to its defenders was unveiled by the 19th-century star-shaped citadel that sits astride the Mukhavets River and faces the River Bug.
On the present boundary between Belarus and Poland, within the latter’s borders before WWII it served as one of its places of internment for socialist activists.
Two weeks after Nazi Germany’s treacherous attack on Poland on September 1, 1939, Joseph Stalin ordered the Red Army to advance west and secure territories up to the River Bug, including the Brest fortress. Permitted under the Ribbentrop-Molotov pact of August 1939, it was a move designed to keep German armies at arm’s length.
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Despite an over-sentimental narrative, MICHAL BONCZA applauds an ambitious drama about the Chinese rescue of British POWs in WWII
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