PRAGYA AGARWAL recommends a collection of drawings that explore the relation of indigenous people to the land in south Asia, Africa and the Caribbean
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Join us this long weekend at our 25th Glastonwick beer, music, poetry and more beer Festival
TV Smith in full flow
[Man Alive!/flickr/CC]
CHRIS SEALE speaks to Palestinian sound artist BINT MBAREH
MARY CONWAY applauds a brave and timely two hander that explores the difference between intimacy and abuse
ANDY HEDGECOCK and MARIA DUARTE review The Thing with Feathers, Train Dreams, Sisu: Road to Revenge, and Wicked: For Good
GUILLERMO THOMAS welcomes a biography of WA Domingo, a key figure in the anti-colonial struggle in the Caribbean
BRENT CUTLER is intrigued by the imperialist, supremacist and contradictory history of a word that is used all too easily
AS YOU read this we are at Coombes Farm, near Lancing in West Sussex, in the middle of our Jubilee celebrations! Yes, it’s great to finally be together again for our 25th Glastonwick beer, music, poetry and more beer Festival, delayed by two years due to Covid.
So how did it all begin? The story of Glastonwick is one of a simple, rather obvious but at the time pioneering idea, and this anniversary is a fitting opportunity to (briefly) tell it from the beginning…
In the mid ’90s I’d got fed up performing at great music festivals sponsored by the undrinkable corporate urine of Satan, and attending brilliant beer festivals where the “entertainment” consisted of a blues covers band with all the innovation and energy of a geriatric brontosaurus.
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