RITA DI SANTO assesses the winners of the most politically charged festival to date
The Cordillera of Dreams (12A)
Directed by Patricio Guzman
CHILEAN filmmaker Patricio Guzman, who left Chile almost 50 years ago following Pinochet’s military coup d’etat, continues his examination of his country’s history and soul — this time through the mountain range that surrounds Santiago, his birthplace.
Said “cordillera” loom majestic and proud; a witness, according to Guzman (Battle of Chile), to events under Pinochet’s dictatorship that he believes were hidden from the country’s citizens.
The sweeping shots of the vast ridges are peaceful and calming, providing a stark contrast to the film footage of protesters, both men and women, being viciously manhandled and beaten up by the military and the police before being forcibly arrested and removed.
ANDY HEDGECOCK, JAMES WALSH, LEO BOIX and MARIA DUARTE review Just An Illusion, Everybody Digs Bill Evans, Blue Film, Oasis: Don’t Look Back in Anger, and Runner
ANGUS REID, ANDY HEDGECOCK and MARIA DUARTE review On The Sea, A Useful Ghost, Brunello: The Gracious Visionary, and Pinocchio Unstrung
KEVIN DONNELLY and MARIA DUARTE review Shoot the People, The Last One For The Road, Rosebush Pruning, and Moana
LEO BOIX, ANDY HEDGECOCK and MARIA DUARTE review Dreamers, It Was Just An Accident, Folktales, and Eternity


