KEN COCKBURN traces the one original language – that of the Yamnaya pastoral nomads – from which all European and Indian languages derive
Latest editorial
Image restoration
Christine Keeler was pilloried by the Establishment and the tabloids but a new exhibition salvages her tarnished reputation in a telling commentary on class, male power and sexual politics, says JAN WOOLF
Sadie Lee; Scandalous (Detail)
PAUL DONOVAN is fascinated by the debunking of the iconic British war hero
ALEX HALL recommends a searing panorama of our global predicament
Comics are not just superheroes and spandex – it can be public art, telling public stories, suggests HARRIET EARLE
ALEXEI SAYLE speaks to Angus Reid about a lifetime of protest, how to hone political art – and what to do now
The bard serenades the Diggers of Wigan and their festive followers
Dear Christine
Vane
Newcastle-upon-Tyne
AS A 13-year-old delivering newspapers in a Surrey village, I read about Christine Keeler on my paper round, gaining rudimentary political education comparing redtop and broadsheet headlines.
With that long lustrous hair, I thought Keeler beautiful and was intrigued that she’d had sex with a Russian.
Similar stories
Family issues and dragon-fuelled history amount to a vacuous spectacle that ill-fits the theatre, muses SIMON PARSONS
JAN WOOLF invigilates images that meditate on Palestine, and the people who witness them
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis