MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
LIKE other recent examples of politically charged theatre at the Bush — Arinz Kene’s Misty and Outbox Theatre’s And The Rest of Me Floats spring to mind — I Wanna Be Yours is in a challenging vein.
Zia Ahmed’s debut work takes the apparent simplicity of a love story and spins it into something both epic and whimsical as it explores how deeply ingrained racism is, how bad we are at interrogating the detail of it and just how much of it there is around — even, or perhaps especially, in creative communities where one might expect better.
The play tells the story of actor Ella (Emily Stott), who meets poet Haseeb (Ragevan Vasan) at a workshop. Their attraction, vibrantly brought to life by both perfomers, is instant.
ROGER McKENZIE draws attention to the much-neglected oral traditions of the global South that define the identity – and therefore the liberation – of its custodians
ANGUS REID applauds the potential of an ambitious show about Gaza, and encourages it to keep its nerve
RON JACOBS recommends a book that charts the disparate circumstances that defined the lives of two prominent black Afro-Americans — one a communist, the other an anti-communist
In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights


