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A Hunger Artist, Seven Arts Leeds
Opaque exploration of art and the human condition
UNSPOKEN ANGER: Henry Petch (left) in A Hunger Artist
GORDON PARSONS steps warily through the pessimistic world view of an influential US conservative
HENRY BELL takes issue with the assertion that basic income is a remedy for poverty when it doesn’t address the inbuilt inequality of capitalism
RON JACOBS welcomes an investigation of the murders of US leftist activists that tells the story of a solidarity movement in Chile
RITA DI SANTO surveys the smorgasbord of films on offer at this year’s festival
Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA
SCOTT ALSWORTH foresees the coming of the smaller, leaner, and class conscious indie studio, with art as its guiding star
FRANZ KAFKA’S deceptively straightforward style of writing forces readers to search for deeper meaning. It’s an approach that CVIVarts has sought to emulate in this debut production, an adaptation of his 1922 short story A Hunger Artist, which follows the eponymous protagonist (Henry Petch) from his first to his 40th day of starvation at a circus.
He’s only rarely given his own voice, with his warder (Richard Koslowsky) and the narrator (director Carrieanne Vivianette) interpreting the motivations behind his act.
His unspoken frustrations and anger are instead conveyed through physical movement, choreographed by Phil Sanger, with repeated poses losing their vigour as his act progresses and public interest wanes.
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