The book feels like a writer working within his limits and not breaking any new ground, believes KEN COCKBURN
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Horns locked
CHRIS SEARLE speaks to Denys Baptiste, saxophonist, after his tribute session to the great US saxophonist Wayne Shorter
Wayne Shorter, 2012; Denys Baptiste, 2005
[Dirk Neven/CC; Richard Kaby/CC]
PRAGYA AGARWAL recommends a collection of drawings that explore the relation of indigenous people to the land in south Asia, Africa and the Caribbean
CHRIS SEALE speaks to Palestinian sound artist BINT MBAREH
MARY CONWAY applauds a brave and timely two hander that explores the difference between intimacy and abuse
ANDY HEDGECOCK and MARIA DUARTE review The Thing with Feathers, Train Dreams, Sisu: Road to Revenge, and Wicked: For Good
GUILLERMO THOMAS welcomes a biography of WA Domingo, a key figure in the anti-colonial struggle in the Caribbean
HERE’S a story of two powerful and epochal saxophonists, one from the US, the other a Londoner.
The first is Wayne Shorter, born in Newark, New Jersey in 1933, who died in March this year, after a lifetime of jazz invention. The musical director and fiery hornman of Art Blakey’s Jazz Messengers in their most rampaging years between 1959-1963; leader of the series of ’60s insurgent albums for Blue Note, tenorist in one of Miles Davis’s most formidable quintets from 1964 -70, and co-instigator of Weather Report, a pioneering fusion band of electronic jazz.
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Re-releases from Bobby Wellins/Kenny Wheeler Quintet, Larry Stabbins/Keith Tippet/Louis Moholo-Moholo, and Charles Mingus Quintet
STEVE JOHNSON, CHRIS SEARLE and TONY BURKE review new releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
CHRIS SEARLE picks his favourites
A new release from Joachim Cooder, and re-releases from Miles Davis and Mountain