Climate activist and writer JANE ROGERS introduces her new collection, Fire-ready, and examines the connection between life and fiction
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Good weird, batshit weird, brilliance a-plenty
Good weird, batshit weird, brilliance a-plenty
All the 129 tracks on Miniatures 2020 come in at less than a minute and many are magnificently memorable
ELEANOR DOBSON reflects on a stark visual record of the violent desecration of Tutankhamun’s mummified remains
RUTH AYLETT appreciates the rich blend of poetry and music that accompanied the launch of the Morning Star’s anthology of poetry, Who We Are
WANJA KIMANI explores the many bonds of community experience expressed in in the bold and colourful imagery of a new mural
New releases from Keeley, Lucinda Williams and Ye Vagabonds
JAN WOOLF ponders the works and contested reputation of the West German sculptor and provocateur, who believed that everybody is potentially an artist
IN 1981, I was invited to join the pioneering, category-busting and extremely eclectic independent label Cherry Red Records and, once signed, was invited into the despatch department to take my pick of anything in their back catalogue.
It was thus that I got hold of a copy of Miniatures, a compilation LP put together by former Mott The Hoople keyboard player and Cherry Red collaborator Morgan Fisher, released a year before. A vast number of luminaries had contributed 51 tracks, all under a minute in length.
Some of it was great, some weird but the album was unique and memorable and therefore brilliant.
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CHRIS SEARLE speaks to Ethiopian vocalist SOFIA JERNBERG
The bard gives us advance notice of his upcoming medieval K-pop releases
New releases from Ibex Band, Lucy Dacus, and Various Artists