MARIA DUARTE and ANDY HEDGECOCK review The Tasters, A Pale View of Hills, How To Make a Killing, and Reminders of Him
THE AIM of Paris-based theatre company Hippolyte a mal au coeur is to connect with as many people as possible, particularly those with a hearing impediment, and to develop bilingual productions, initially in French and Sign Language.
Now translated into Spanish and English, and showing across the globe, Estelle Savasta’s play tells the tender story of the relationship between Nour (Charmaine Wombwell) and the profoundly deaf Youmna (Nadia Nadarajah), who communicates through sign language and a wonderful visual expressiveness.
A celebration of women and the profound transference of love from mother to daughter, it charts the progress of one gentle girl as she migrates from her own poverty-stricken country to a land of plenty, crossing borders and keeping hope alive through love.
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play
MARY CONWAY recommends a play that some will find more discursive than eventful but one in which the characters glow
LEO BOIX introduces a bold novel by Mapuche writer Daniela Catrileo, a raw memoir from Cuban-Russian author Anna Lidia Vega Serova, and powerful poetry by Mexican Juana Adcock



