ANDREW MURRAY is compelled by the moment of revolution in British history when Parliament had political intimacy with society
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An error occurred while searching, try again later.Girls in blue
SUSAN DARLINGTON is disappointed by a show that aims to highlight misogyny within the police but fails to arrest the audience's attention
The Star's critic MARIA DUARTE Reviews of Twiggy, Mickey 17, Day of the Fight, and Marching Powder
GAVIN O’TOOLE welcomes a masterful study of gang behaviour in the favelas of Sao Paulo
Helen Colley introduces this year’s ScreenCuba film festival with an exclusive offer to Morning Star readers
DENNIS BROE appreciates the work of TV writer Steven Knight, and his systematic exposure of the debilitating effects of British capitalism
A pamphlet by British Latinx poet Patrick Romero McCafferty, poetry by Anglo-Argentinian Miguel Cullen, and a book of conjuring poems by Mexican Pedro Serrano
MAYER WAKEFIELD wonders why this 1978 drama merits a revival despite demonstrating that the underlying theme of racism in the UK remains relevant
A Force to be Reckoned With: Wetherby Whaler, Guiseley
INTIMATE community shows about big subject matters are something in which Mikron specialises, having previously tackled the suffragette movement and the NHS. An exploration of pioneering women in the police should be an easy win, especially at a time the force is under increasing scrutiny about institutional misogyny.
It’s therefore disappointing to find that Amanda Whittington’s A Force to be Reckoned With fails to arrest the audience’s attention.
The four-handed play centres on WPC Iris Armstrong (Hannah Baker), an eager-to-please new 1950s recruit who can quote passages of the law verbatim. Her dreams of walking the beat are challenged by the reality of typing and making drinks for her two male colleagues (Eddie Ahrens and Harvey Badger), until she teams up with ambitious and no-nonsense WPC Ruby Roberts (Rachel Hammond).
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