APURBA CHATTERJEE explains how British artists in India used the “picturesque” to reshape colonial landscapes and celebrate imperial power
Flowers that will not fade
This lavish book transcends the botanical by discussing the flowers’ social, historical and symbolic significance, writes CHRISTINE LINDEY
(L to R) Albrecht Durer, Tuft of Cowslips or Primula (1526); Anonymous, gold ornaments, c2300–2100 BC; Mary Cassat, Lilacs in a Window of 1880-83 and (bottom middle) Pierre-Joseph Redoute, Amaryllis josephina from Les Liliacees, 1802–16
PAUL DONOVAN welcomes a revival of Reginald Rose’s classic play that reminds us of the fundamental need for trials with juries
SIMON PARSONS applauds an exceptional performance of Wesker’s little-known play, by the same actor for whom it was written 45 years ago
ANDY HEDGECOCK and MARIA DUARTE review Late Fame, The Death of Robin Hood, Leviticus, and Gail Daughtry and the Celebrity Sex Pass
ANGUS REID recommends a uniquely accomplished documentary collage that contemplates our relation to the natural world
GORDON PARSONS enjoys Kant’s ‘mind-boggling’ theory of human reality: that we create the reality we experience
Flower: Exploring the World in Bloom,
by Anna Pavord,
Phaidon Press
£39.95
AT 350 pages this large format book offers beautiful, full-page illustrations of a vast variety of flowers accompanied by useful information about each one.
A stimulating introduction discusses their social, historical and symbolic significance.
Unlike most botanical books it also functions as an art book with illustrations which range far and wide across time, cultures and types of objects. A gilded Sevres porcelain plate destined for the 19th-century courts of Europe is ornately hand painted with a central bouquet of flowers surrounded by butterflies, bows and scrolls.
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