RITA DI SANTO assesses the winners of the most politically charged festival to date
“MAYBE God made me a painter for people who aren’t born yet,” Willem Dafoe’s Vincent van Gogh confides to a quizzical priest (Mads Mikkelsen) in this film set during the last two years of Van Gogh’s existence in Arles and Auvers-sur-Oise in France.
This no straightforward in-depth biography but a painterly film from co-writer and director Julian Schnabel that attempts to show what it was like to be the painter and walk in his shoes.
As the poor and struggling artist traipses through the French countryside, he attempts to be at one with nature and capture the glorious sunlight.
ANDY HEDGECOCK is charmed by a skilful adaptation of Tove Jansson’s lyrical portrait of three generations of a family, overcoming grief
MARIA DUARTE recommends a remarkable study of the friendship between a Palestinian and a Pakistani, broken by a hostile state
KEVIN DONNELLY and MARIA DUARTE review Shoot the People, The Last One For The Road, Rosebush Pruning, and Moana
LEO BOIX, ANGUS REID and MARIA DUARTE review Night Stage, Two Women, Kim Novak’s Vertigo, and Fuze


