DAVID RENTON is puzzled by an ambitious attempt to look back on world culture from the future without engaging with or understanding it
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Engaging tribute to master of provocative film-making
ANDY HEDGECOCK recommends a new take on the great Spanish film-maker Luis Bunuel
DEFTLY SKETCHED: Bunuel in the Labyrinth of the Turtles
MICHAEL STEWART applauds a fun send-up of the substandard Agatha Christie whodunnit
LEO BOIX reviews a novella by Brazilian Ana Paula Maia, and poetry by Peruvian Giancarlo Huapaya, and Chilean Elvira Hernandez
BRENT CUTLER unpicks the cryptic clues of a book within a book within a murder mystery
Reviews of the Neil Charles Quartet, the Freddie Hubbard Quintet, and the Olie Brice Quartet
GLENN BURGESS suggests that, despite his record in Spain, Orwell’s enduring commitment to socialist revolution underpins his late novels
Bunuel in the Labyrinth of the Turtles
by Fermin Solis
(SelfMadeHero, £14.99)
LUIS BUNUEL made his first film just before the 1929 Wall Street Crash and retired from the director’s chair soon after the advent of the home computer.
His half century of creative provocation began with the grotesque surrealism of Un Chien Andalou (1929), an avant-garde classic of the silent era, and closed with a series of late flourishes: The Discreet Charm of the Bourgeoisie (1972), The Phantom of Liberty (1974) and That Obscure Object of Desire (1977).
These are cinematic masterpieces – humorous, poetic and more overtly political than his early work.
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