Skip to main content
Donate to the 95 years appeal
An energising stroll down a '60s memory lane
MICHAEL STEWART is transported breathtakingly back to the vitality of the 1960s
The cast [Darren Bell]

Summer in the City
Upstairs at the Gatehouse

 


OVATION’S Christmas show is a jukebox musical in which the tunes burst out of the jukebox and threaten to throttle the story. But that’s no great pity as the plot is only a device to showcase the songs of the ’60s. And what wonderful songs they are, full of vitality and heartfelt emotion, throbbing with joy.

Audiences of a mellow age are time-warped back to those heady days to wallow in hazy memories of rock and pop and groovy mayhem while younger people will find out just what they have missed.

Set in a cafe in Carnaby Street Soho, (which I assume is modelled on the 2i’s coffee bar which  spawned rock’n’roll in this country), whose owner Hetty (Helen Goldwyn) a wise, Jewish mother hen type employs as coffee boy Sam (Connor Arnold), a square-jawed American who’s a dead ringer for Superman and delivers the coffee with oodles of entrepreneurial pizzazz and go-getterism.

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
Similar stories
beckett
Preview / 19 September 2025
19 September 2025

FRANCIS BECKETT introduces his new play that aims to give its audience a taste of what a far-right triumph would be

Dr Freud
Theatre review / 16 September 2025
16 September 2025

JAN WOOLF is beguiled by the tempting notion that Freud psychoanalysed Hitler in a comedy that explores the vulnerability of a damaged individual

 SISTERS IN HARMONY The Company of The ministry Of Lesbian Affairs [Pic Mark Senior]
Theatre review / 9 July 2025
9 July 2025

MAYER WAKEFIELD relishes a witty and uplifting rallying cry for unity, which highlights the erasure of queer women

(L to R) Oliver Sidney, Madeleine Morgan, Folarin Akinmade,
Theatre review / 19 December 2024
19 December 2024
'Witty and highly entertaining without being didactic,' writes JAN WOOLF