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LAWRENCE REVISITED: (L toR) Thomas Edward Lawrence in 1919 and Peter O'Toole as Lawrence in David Lean's Lawrence of Arabia
[(L to R) Public domain and IMDb]
JOHN McINALLY welcomes a rigorous class analysis of the history and exploitation of sectarianism by the Scottish ruling elite
The bard pays homage to his two muses: his wife and his football club
MARY CONWAY is disappointed by an incoherent show that fails to question stereotypical assumptions about the Soviet Union
WILL STONE, JAMES WALSH and MARIA DUARTE review Souleymane’s Story, Sunlight, Good Fortune, and After The Hunt
ALEX HALL recommends an exhaustive investigation of the means by which the Starmer faction assassinated the left
I’VE been preparing this play now for the last nine years. Started on an archaeological dig in Jordan in 2013, where I was writer in residence with GARP (Great Arab Revolt Project) co-directed by Neil Faulkner, the play speaks to our time.
Archaeology has its genres too, and this dig, Modern Conflict Archaeology, examined the united tribal Bedouin revolt against the Turks, allied with Germany in WWI, through the complex character of TE Lawrence, mythologised as Lawrence of Arabia.
I had a teenage fascination with Lawrence after seeing the David Lean movie in the 1960s, and Peter O’Toole’s lovely blue eyes soon gave way to reading the real Lawrence and realising what an astounding writer he was.
