DENNIS BROE finds much to praise in the new South African Netflix series, but wonders why it feels forced to sell out its heroine
Birdy
CHRIS SEARLE takes wing with Leeds-born poet of mixed Sri Lankan and English heritage, Seni Seneviratne
White-cheeked Starlings perching on power cables
[Laitche/CC] 
CARL DEATH introduces a new book which explores how African science fiction is addressing climate change
In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
MATTHEW HAWKINS is mesmerised by a performance that dissolves the line between audience and performer
MATTHEW SHARPE recommends the essays of a Renaissance politician that instruct and unnerve after 400 years
GAVIN O’TOOLE welcomes the reissue of a seminal work of revolutionary theory that have genuine relevance in the current context
THE GO-AWAY BIRD: Poems by Seni Seneviratne
Peepal Tree Press, £9.99
MANY poets — and revolutionaries too, from Shelley to Rosenberg to the Palestinian laureate, Mahmoud Darwish — have invoked images of birds as freedom flyers and refugees from the human world on the ground of injustice and stranglehold. But few, like John Clare with his feathery wordplay and simple brilliance, have used their empathy to become the very birds they describe.
The Leeds-born poet of mixed Sri Lankan and English heritage, Seni Seneviratne, does exactly this in her collection The Go-Away Bird.
More from this author
CHRIS SEARLE speaks to Chris Laurence, bassist and bandmate of saxophonist TONY COE
CHRIS SEARLE speaks to vocalist Jacqui Dankworth
CHRIS SEARLE pays tribute to the late South African percussionist, Louis Moholo-Moholo
Re-releases from Bobby Wellins/Kenny Wheeler Quintet, Larry Stabbins/Keith Tippet/Louis Moholo-Moholo, and Charles Mingus Quintet
