SCOTT ALSWORTH foresees the coming of the smaller, leaner, and class conscious indie studio, with art as its guiding star

The Left Case for Brexit
by Richard Tuck
(Polity Books £14.99)
JUST about the most dismal moment of a grim general election campaign must have been Boris Johnson announcing that he would take advantage of the freedoms Britain would acquire upon leaving the European Union to adopt a more proactive state aid to industry regime and implement a domestic-preference public-procurement policy.
Johnson’s sincerity should of course be doubted. But the fact that it was a Tory leader advocating for the state playing a bigger economic role outside the EU than would be permitted within it, rather than Labour doing so, was a measure of how far Labour had lost the Brexit plot.
A Labour government under Jeremy Corbyn would undoubtedly have tried to do the same and more. But this would have been compromised by its desire to seek close alignment with the EU’s single-market rules. Furthermore, it had become politically impossible for Labour to admit to there being any potential benefits to Brexit, so hegemonic had “remain” become in the party’s counsels.

Just as German Social Democrats joined the Nazis in singing Deutschland Uber Alles, ANDREW MURRAY observes how Starmer tries to out-Farage Farage with anti-migrant policies — but evidence shows Reform voters come from Tories, not Labour, making this ploy morally bankrupt and politically pointless