The Star's critics ANDY HEDGECOCK, MARTIN HALL, MICHAL BONCZA, ANGUS REID reviews Holy Cow, One to One: John and Yoko, King of Kings, Panda Bear in Africa
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Asher Dust’s deeply intimate affair
PATRICK JONES recommends a vital anthology from Afghan and Iranian poets where the political and personal fuse into witness-bearing and manifesto-making
WILL STONE is impressed by Hania Rani who is already making a name for herself in the male-dominated world of modern classical music
MIK SABIERS enjoys the theatrical feminist six piece who have a lot of fun that the audience feeds off as the set rolls on
New releases from Ibex Band, Lucy Dacus, and Various Artists
MARY CONWAY is disappointed by characters so un-nuanced as to be unreal, a stereotypical plot and a conceptual vampire
WILL STONE appreciates an artist who can swerve from industrial noise to clubby trance pop without missing a step
Asher Dust
Old FIre Station
Oxford
Asher Dust has been a mainstay of the Oxford music scene for something like two decades now, both in bands such as Nautica and Big Speakers, and as an artist in his own right.
His solo material has always been highly eclectic, held together by his deeply soulful and emotive — and instantly recognisable — voice. Silky-smooth but with a delicious gravelly edge, it is a voice which works equally over electro, ragga, hiphop, R ’n’ B and drum and bass, while his lyricism brings a darker edge to these sounds, emphasising human frailty far more than self-aggrandisement.
Dust gigs have always been a deeply intimate affair, and over the years, he has become a master at laying bare his inner soul.
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