Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
The art of framing the problem not solving it
Photographer STEPHEN GILL speaks to the Morning Star about the world he sees through the lens of his camera
Gill
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
Peter Mitchell's photography reveals a poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
Coming up for Air: Stephen Gill – A Retrospective
Arnolifini, Bristol
BRISTOLIAN Stephen Gill’s photography confounds all expectations. Like with Marmite you’ll either be intrigued or not bothered at all.
Anthropology, archaeology have been uttered as descriptions of the multilayered visual textures of his work. Is there any truth in that, we ask.
Gill is philosophical, he believes his early work are studies of people and the things we do and what we encounter: “It was a genuine interest and something I think photography is really good at; making such descriptive studies.”
More from this author
MICHAL BONCZA recommends a compact volume that charts the art of propagating ideas across the 20th century
MICHAL BONCZA reviews Cairokee gig at the London Barbican
