SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
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The art of framing the problem not solving it
Photographer STEPHEN GILL speaks to the Morning Star about the world he sees through the lens of his camera
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
ALEX HALL is intrigued by a detailed history of Gaza that demonstrates its historic resilience and changing economy
RON JACOBS welcomes the long overdue translation of an epic work that chronicles resistance to fascism during WWII
MAYER WAKEFIELD is chilled by the co-dependency of two lost souls as portrayed by German communist playwright Franz Xaver Kroetz
The Star's critics BRETT GREGORY, JOHN GREEN, MICHAEL BONCZA and ANGUS REID review The Stimming Pool, Misericordia, La Cocina, Irena’s Vow, and The End
CHRIS MOSS welcomes a radical history that brings marginalised stories and overlooked people and agencies to the centre
Coming up for Air: Stephen Gill – A Retrospective
Arnolifini, Bristol
BRISTOLIAN Stephen Gill’s photography confounds all expectations. Like with Marmite you’ll either be intrigued or not bothered at all.
Anthropology, archaeology have been uttered as descriptions of the multilayered visual textures of his work. Is there any truth in that, we ask.
Gill is philosophical, he believes his early work are studies of people and the things we do and what we encounter: “It was a genuine interest and something I think photography is really good at; making such descriptive studies.”
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