PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
IT USED to be that we changed and the movies we loved didn’t.
When we revisited classic films we could rely on their immutability. If we remembered bits of dialogue and certain scenarios differently, it was good to have those memories renewed and corrected as the images flickered by in the big dark.
Nowadays and nowanights technology, marketing and the cult of the director often upend that relationship. You change, but your movies can too.
SETH SANDRONSKY recommends a production that looks back at the political Tinseltown in the mid-1970s when US cinema ‘didn’t pander to trends’
WILL STONE enjoys a set by an artist too eclectic to be pigeonholed
TONY BURKE recommends a new podcast about the legenary Nigerian musician and political activist FELA KUTI
April 9 1928 – July 26 2025


