MICHAL BONCZA recommends a minimalist installation that prompts intriguing connotations
DIRECTOR Nicholas Hytner clearly knows his audience. And, at first glance, his choice of Alys, Always, adapted by Lucinda Coxon from Harriet Lane’s popular novel, seems set to please.
The story is simple. Frances, a busy but put-upon subeditor for Sunday newspaper The Questioner, is driving back to London one night after a miserably mundane Christmas with her miserably mundane parents, when she happens upon a car accident in a lonely country lane.
GEOFF BOTTOMS recommends an inspiring, political and bittersweet account of the munitions factory workers who are the fore-runners of the modern women’s game
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
STEPHEN ARNELL looks back to when protesters took to the streets in London demand to Irish liberty, fair pay and free speech — and wonders what’s changed in 138 years


