The Bard reflects on sharing a bed, and why he wont go to Chelsea
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Albums with Ian Sinclair
DAMN GOOD: Bob Dylan
MARY CONWAY applauds a new play that foresees the unscrupulous tactics of a future far-right minority government
RON JACOBS is moved to tears by an eloquent journal of heartfelt intensity and human portraiture
ROBERT OVETZ recommends a case study, from the University of Leicester, in their struggle against precarization, AI, privatisation, outsourcing, and work intensification in higher education
IAN SINCLAIR welcomes a lucid critique of a technology that reproduces and enables oppression, power, and environmental devastation
SIMON PARSONS applauds an impassioned demonstration of the fundamental role of women in the history and protection of the forest ecosystem
RELEASED online in March, Bob Dylan’s 17-minute Murder Most Foul felt, in some strange way, in close step with our difficult times.
Ostensibly about the 1963 assassination of John F Kennedy, the monumental song ominously unspools like a slow-paced American Pie, with the now 79-year old mesmerisingly listing popular 20th-century artists and hit songs.
This extraordinary track closes his new album Rough and Rowdy Ways (Columbia), which was pretty damn good too. Perhaps rejuvenated by his previous five records of American standards, highlights include I've Made Up My Mind to Give Myself to You and the nine-minute Key West (Philosopher Pirate).
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IAN SINCLAIR welcomes a lucid critique of a technology that reproduces and enables oppression, power, and environmental devastation
Reviews of new releases by Wednesday, Suede, and Nation of Language
Reviews of new releases by Jens Lekman, Big Thief, and Christian McBride Big Band
