JON BALDWIN recommends a provocative assertion of how working-class culture can rethink knowledge
Album reviews with MICHAL BONCZA
New releases from Sam Eastmond, Angharad Jenkins and Patrick Rimes, Gabriel Moreno
These are vivid accounts of people’s experiences of far-right violence along with documentation of popular resistance, says MARJORIE MAYO
The Star's critic MARIA DUARTE, JOHN GREEN and ANGUS REID review An Army of Women, Julie Keeps Quiet, The Friend and The Ugly Stepsister
GORDON PARSONS squirms at a production that attempts to update Shakespeare’s comedy to a tale of Premier League football
Above a Gothic bar just down from Brighton station, something spooky is happening, suggests JAMES WALSH
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
MIK SABIERS enjoys the theatrical feminist six piece who have a lot of fun that the audience feeds off as the set rolls on
Sam Eastmond
The Bagatelles Vol 16
(Tzadik Records)
★★★★★
NEW YORKER John Zorn is an avant-garde musician singularly unconcerned by and working outside the “mainstream,” and yet simultaneously having a profound influence on it.
His Book of (300) Bagatelles (a term used since 1827 for pieces of light music) comprises three-minute-burst micro-collages that are as unexpected as they are fascinating.
Sam Eastmond, a London-based Jewish musical polymath, brings an innate feel for and astonishing invention to his interpretation of Zorn’s soundscapes.
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MICHAL BONCZA recommends a compact volume that charts the art of propagating ideas across the 20th century
MICHAL BONCZA reviews Cairokee gig at the London Barbican
