MICHAL BONCZA recommends a minimalist installation that prompts intriguing connotations
THIS fine play from Mike Bartlett is wonderful theatre.
As the audience settles around the protruding set of a country garden, a first world war soldier wanders around the lawn and, picking up the soil of his country, inhales it like dope — a metaphor for what’s to come.
Enter 21st-century Audrey (Victoria Hamilton) who has left her business life in London to return and live in the place which has nostalgic connections with her childhood — its seductive comforts and reluctance for change — despite her constantly professing its importance.
JAN WOOLF invigilates images that meditate on Palestine, and the people who witness them
JAN WOLF enjoys a British revival of the 1972 come of age farce/panto Pippin
JAN WOOLF is beguiled by the tempting notion that Freud psychoanalysed Hitler in a comedy that explores the vulnerability of a damaged individual
ANDY HEDGECOCK recommends that these beautifully written diaries from Gaza be essential reading for thick-skinned MPs


