KEN COCKBURN traces the one original language – that of the Yamnaya pastoral nomads – from which all European and Indian languages derive
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Albion, Almeida Theatre London
State of the nation takes root in an English country garden
EXCELLENT: Victoria Hamilton as Audrey in Albion
[Marc Brenner]
PAUL DONOVAN is fascinated by the debunking of the iconic British war hero
ALEX HALL recommends a searing panorama of our global predicament
Comics are not just superheroes and spandex – it can be public art, telling public stories, suggests HARRIET EARLE
ALEXEI SAYLE speaks to Angus Reid about a lifetime of protest, how to hone political art – and what to do now
The bard serenades the Diggers of Wigan and their festive followers
THIS fine play from Mike Bartlett is wonderful theatre.
As the audience settles around the protruding set of a country garden, a first world war soldier wanders around the lawn and, picking up the soil of his country, inhales it like dope — a metaphor for what’s to come.
Enter 21st-century Audrey (Victoria Hamilton) who has left her business life in London to return and live in the place which has nostalgic connections with her childhood — its seductive comforts and reluctance for change — despite her constantly professing its importance.
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