SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
Brighton’s finest
TOM STONE relishes a classic band who have burnished their anti-nationalistic credentials
PAUL FOLEY recommends an extraordinary double bill that packs a punch and leaves you reeling
MARY CONWAY is disappointed by a play about AI that results in a deadening disconnect for its audience
SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
MATTHEW HAWKINS pays tribute to the performance artist and costumier, Leigh Bowery
SIMON DUFF reviews a new composition by German composer and pianist Florian Weber that blurs the line between where improvisation ends and composition begins
New releases from The Jim Mullen Quartet, Caroline Kraabel/John Edwards, and Matthew Muneses/Riza Printup
Sea Power
The Corn Exchange, Brighton
IN August 2021 British Sea Power did something few bands with a successful 20-year career under their belts would consider – they changed their name.
In something of a political statement they became simply Sea Power, issuing a statement against the stop the boats rhetoric: “In recent times there’s been a rise in a certain kind of nationalism in this world – an isolationist, antagonistic nationalism that we don’t want to run any risk of being confused with.”
More from this author
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
Similar stories
TOM STONE recommends the sonic and visual impact of a band that keeps evolving, musically and politically
The clock turns back for TOM STONE as he’s reminded of the splendour of seminal Genesis album The Lamb Lies Down On Broadway
WILL STONE overlooks the corn to find the beauty in the music of the Danish indie-pop oddities
PETER MASON relishes a band whose live gigs make for a night to remember