Latest editorial
JON BALDWIN recommends a provocative assertion of how working-class culture can rethink knowledge
Blown away
CHRIS SEARLE is transported by a combative fusion of US and UK instrumentalists and landmark evening of jazz
These are vivid accounts of people’s experiences of far-right violence along with documentation of popular resistance, says MARJORIE MAYO
The Star's critic MARIA DUARTE, JOHN GREEN and ANGUS REID review An Army of Women, Julie Keeps Quiet, The Friend and The Ugly Stepsister
GORDON PARSONS squirms at a production that attempts to update Shakespeare’s comedy to a tale of Premier League football
Above a Gothic bar just down from Brighton station, something spooky is happening, suggests JAMES WALSH
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
MIK SABIERS enjoys the theatrical feminist six piece who have a lot of fun that the audience feeds off as the set rolls on
Darius Jones, John Edwards and Steve Noble
Cafe Oto, London
A HOT, hot Sunday night in downtown Dalston, made even hotter at the Cafe Oto with the boiling sound of Darius Jones’s alto saxophone, straight from the heat of the USA.
Jones, born in Norfolk, Virginia in 1978 and now a Professor of Music at Wesleyan College, Connecticut, was playing in a superfine trio with two British nonpareils, bassist John Edwards and drummer Steve Noble. And how they coalesced! Their notes bestrode the ocean, as a certain Elizabethan groover might have written, as if no geographical gulf or barrier can stop the free passage of hot music.
More from this author
CHRIS SEARLE speaks to drummer Steve Noble
CHRIS SEARLE interviews saxophonist Chris Williams about the extraordinary electro-acoustic album LEDLEY - a bold fusion of Jazz, football, and community spirit
CHRIS SEARLE speaks to Rwanda-born jazz vocalist INEZA
CHRIS SEARLE speaks to Ghanaian trumpeter PETER SOMUAH
