The Star's critic MARIA DUARTE reviews Sebastian, Four Mothers, Restless, and The Most Precious of Cargoes
Best of 2023: Contemporary classical music
BEN LUNN singles out the remarkable swansong of Kaija Saariaho, and James Weeks’ monumental feat of social organisation

2023 has been quite a manic year for the arts, especially in Britain — though, like all years, there are the good, the bad and the curious moments of light and clarity which do make life truly interesting.
Personally, it has been a busy year on numerous fronts — which despite working in music has meant my ability to listen to and see performances has ironically been lessened, a truly strange quality of the profession.
That being said, there are a handful of things I want to share and reflect on.
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