ANGUS REID, ANDY HEDGECOCK and MARIA DUARTE review On The Sea, A Useful Ghost, Brunello: The Gracious Visionary, and Pinocchio Unstrung
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Best of 2018: Visual arts
by MICHAL BONCZA
RON JACOBS enjoys a great tale, told by a US communist, of the lives of working-class New Yorkers
BRENT CUTLER searches a new history of contemporary Iran for an understanding of the Islamic Republic, finding both interesting detail and glaring omissions
MARIA DUARTE recommends the true story of the remarkable woman who sued Donald Trump for sexual assault not once, but twice
KENNY MacASKILL is disappointed by a polemical, rather than factual, account of the Lone Star State and its political path since the civil war
PAUL DONOVAN is fascinated by the lives of Charles and Mary Bagot, and the insight this biography shines on the morals of pre-Victorian society
GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
THE PAINTINGS of Andrzej Wroblewski, who died tragically at the age of 29 in 1957 and who left work that was formally decades ahead of its time, got a welcome showing at Zwirner Gallery.
Ahead of its time: image from Andrzej Wroblewski's Executions
A committed communist, he engaged with the reality of post-war Poland in a manner that shocked the stifled art establishment and confounded the authorities.
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JAN WOOLF invigilates images that meditate on Palestine, and the people who witness them
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The creative imagination is a weapon against barbarism, writes KENNY COYLE, who is a keynote speaker at the Manifesto Press conference, Art in the Age of Degenerative Capitalism, tomorrow at the Marx Memorial Library & Workers School in London
Paul MacGee of Manifesto Press invites you to a special launch on Saturday August 2.