Skip to main content
Best of 2018: Culture
by MIKE QUILLE
PIC CAP Real life: Tish Murtha photograph in the exhibition Women by Women

 

“EVERY document of civilisation is also a document of barbarism,” said Walter Benjamin, for behind castles and cathedrals lie histories of violence and oppression. Yet paintings, plays, poems, and films can all express and protest against — as well as deny and legitimate – the exploitation and barbarism of ruling elites that fuel class struggles throughout history.

Benjamin’s insight seems particularly relevant to many exhibitions, plays and films that have come out this year, an example being The Political History of Smack and Crack by Ed Edwards. A brilliant drama about personal relationships, it also exposed the shameful story of the British state’s collusion in our drugs problems.

Liberation webinar, 30 November2024, 6pm (UK)
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
C&C
Report / 5 November 2024
5 November 2024
MIKE QUILL reports on a lively conference in Barnsley that took stock of working-class access to culture and proposed strategies to embed culture within the trade union movement
England
Theatre Review / 10 August 2023
10 August 2023
MIKE QUILLE relishes political theatre at its most entertaining, engaging and effective
DEVASTATINGLY EFFECTIVE: (Left) Francisco Goya’s The Disas
BOOKS / 16 May 2021
16 May 2021
MIKE QUILLE is impressed by the rigorous Marxist approach to be found in a new book on the dialectics of art
portrait
Interview / 7 November 2020
7 November 2020
ADAM THERON-LEE RENSCH talks to Mike Quille about what it is to be a working-class writer in the US and patronising perceptions of class that abound left, right and centre