The Star's critic MARIA DUARTE reviews Sebastian, Four Mothers, Restless, and The Most Precious of Cargoes
Best of 2018: Culture
by MIKE QUILLE

“EVERY document of civilisation is also a document of barbarism,” said Walter Benjamin, for behind castles and cathedrals lie histories of violence and oppression. Yet paintings, plays, poems, and films can all express and protest against — as well as deny and legitimate – the exploitation and barbarism of ruling elites that fuel class struggles throughout history.
Benjamin’s insight seems particularly relevant to many exhibitions, plays and films that have come out this year, an example being The Political History of Smack and Crack by Ed Edwards. A brilliant drama about personal relationships, it also exposed the shameful story of the British state’s collusion in our drugs problems.
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