No excuses can hide the criminal actions of a Nazi fellow-traveller in this admirably objective documentary, suggests MARTIN HALL
Beside the seaside
HELEN MERCER is disappointed by a depiction of Englands ‘coastal commons’ that lacks compassion and fails to illuminate the root causes of their decay
BLIGHT AND NEGLECT: An illustration from Coast of Teeth
PAUL DONOVAN relishes a fascinating exploration of the leading lights of the Labour right in the 1970s
BEN LUNN alerts us to the creeping return of philanthropy and private patronage, and suggests alternative paths to explore
A novel by Argentinian Jorge Consiglio, a personal dictionary by Uruguayan Ida Vitale, and poetry by Mexican Homero Aridjis
MIK SABIERS savours the first headline solo show of the stalwart of Brighton’s indie-punk outfit Blood Red Shoes
New releases reviewed by IAN SINCLAIR
STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
Coast of Teeth: Travels to English Seaside Town in an Age of Anxiety
by Tom Sykes and Louis Netter
Signal Books, £14.99
IF you have ever caught the train to Brighton of a weekend or bank holiday, you may have noticed the excited anticipation rippling through the carriage as it pulls into the station.
All races, cultures, ages, sexes and even classes have the prospect of a day of earthly pleasure-seeking: wide and windy beaches stretch to the horizon, along with bad food, slot machines and shivering dips.
More from this author
For Britain, direct military aid is just the tip of the iceberg compared to the spiralling energy crisis that has fueled inflation, driven millions into fuel poverty and inflated corporate profits, reveals HELEN MERCER
HELEN MERCER welcomes an account of how US labour leadership collaborated with the state and betrayed their membership
A look at the writing of war correspondent James Aldridge 40 years ago reminds us of the eastern perspective when a second front was finally opened on D-Day, 1944, says HELEN MERCER
HELEN MERCER casts an experienced eye over an ambitious exhibition that nevertheless contains painful gaps
