RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
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Apprentice
by Frankie Quinn
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
I stood and watched him hit the nail
Each strike precise as a marksman’s shot,
He’d take my hand, his rough leathery skin
Guide my trembling fingers.
He’d drum, drum, drum along a stud wall,
Hearing changing note he’d nod
I’d drive the nail home.
I’d smile, he’d say:
Carry on now.
I’d never master that sound.
He was like a harpist tuning fine strings,
His ear caught every note
While I stood driving nails in air.
These days, his thumb nails blackened,
His fingers tremble holding a delft cup.
Frankie Quinn is a former political prisoner who served 14 years in the H Blocks and other prisons. He now runs an ex-prisoners’ centre in Dungannon Co Tyrone. Apprentice is taken from his collection Open Gates (Colmcille Press, 2021).
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