New releases from The Orb, Meredith Monk, and Marconi Union
Don't try this at home
Mom and Dad is a perversely enjoyable satire about domestic violence at its most extreme, says MARIA DUARTE
RITA DI SANTO draws attention to a new film that features Ken Loach and Jeremy Corbyn, and their personal experience of media misrepresentation
JULIA TOPPIN recommends Patti Smith’s eloquent memoir that wrestles with the beauty and sorrow of a lifetime
MARJORIE MAYO welcomes an account of family life after Oscar Wilde, a cathartic exercise, written by his grandson
KEN COCKBURN guides us through a survey of Chekov’s early short fiction, and the groundwork it laid for his later masterpieces
ANDY HEDGECOCK revels in a hugely enjoyable but deadly serious examination of the 1930s, that is an indictment of our own era
The bard distills our hellish times into fiery words
Mom and Dad (15)
Directed by Brian Taylor
★★★★
NICOLAS CAGE is at his crazy best in this deliciously macabre horror-comedy satire about the pressures of parenthood, middle-aged anxiety and broken dreams in middle America as, with a mysterious epidemic sweeping the country, parents turn violently on their kids.
Mom and Dad begins with a woman driving a car onto a railway line and, leaving a toddler on the back seat, walks away. A train crashes into the vehicle, killing the child, and this sets the dark and twisted tone of this bonkers horror film written and directed by Brian Taylor, who seems to be channelling George A Romero.
Cage plays Brent Taylor, a disillusioned middle-aged father of two, who's having a midlife crisis. He hates his humdrum job and daydreams of his younger self driving wildly fast with a half-naked woman riding him as he nestles his head between her breasts.
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