MARIA DUARTE reviews Desperate Journey, Blue Moon, Pillion, and Wake Up Dead Man: A Knives Out Mystery
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Weird but wonderful Cults offering
Madeline Rollin
[Suqpecoc/Creative Commons]
WILL STONE enjoys a set by an artist too eclectic to be pigeonholed
RUTH AYLETT reviews two collections of outright political poetry
The book feels like a writer working within his limits and not breaking any new ground, believes KEN COCKBURN
PRAGYA AGARWAL recommends a collection of drawings that explore the relation of indigenous people to the land in south Asia, Africa and the Caribbean
CHRIS SEALE speaks to Palestinian sound artist BINT MBAREH
MARY CONWAY applauds a brave and timely two hander that explores the difference between intimacy and abuse
Cults
Garage, London
NEW YORK’S Cults, in Europe touring on the back of the release of third album Offering, are the dream-pop duo.
Expanded to a five-piece when playing live, they turned up at the Garage somewhat lighter after getting robbed earlier in the day. But that doesn’t stop a striking 14-song set taking punters on whirlwind ride into their weird indie-pop world.
Centre of attention throughout is lead singer and lyricist Madeline Rollin, whose distinctive dancing — or rather, rocking — complements her breathless, beautiful and childlike delivery.
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