RITA DI SANTO draws attention to a new film that features Ken Loach and Jeremy Corbyn, and their personal experience of media misrepresentation
Weird but wonderful Cults offering
Madeline Rollin
[Suqpecoc/Creative Commons]
JULIA TOPPIN recommends Patti Smith’s eloquent memoir that wrestles with the beauty and sorrow of a lifetime
MARJORIE MAYO welcomes an account of family life after Oscar Wilde, a cathartic exercise, written by his grandson
KEN COCKBURN guides us through a survey of Chekov’s early short fiction, and the groundwork it laid for his later masterpieces
ANDY HEDGECOCK revels in a hugely enjoyable but deadly serious examination of the 1930s, that is an indictment of our own era
The bard distills our hellish times into fiery words
Cults
Garage, London
NEW YORK’S Cults, in Europe touring on the back of the release of third album Offering, are the dream-pop duo.
Expanded to a five-piece when playing live, they turned up at the Garage somewhat lighter after getting robbed earlier in the day. But that doesn’t stop a striking 14-song set taking punters on whirlwind ride into their weird indie-pop world.
Centre of attention throughout is lead singer and lyricist Madeline Rollin, whose distinctive dancing — or rather, rocking — complements her breathless, beautiful and childlike delivery.
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