Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA
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An error occurred while searching, try again later.MARIA DUARTE is gripped by a tense drama set almost entirely in a car as distressed parents try to rescue their wayward daughter

Hallow Road (15)
Directed by Babak Anvari
★★★★
HOW far would you go to protect or save your child? Would you lie and take the blame for their actions in order to safeguard their future? That is the moral question at the heart of this nail-biting psychological thriller, directed by Babak Anvari.
The film follows Maddie (Rosamund Pike) and Frank (Matthew Rhys) as they receive a distressing phone call at 2am from their 18-year-old daughter Alice (Megan McDonnell) sobbing that she has hit a young girl with her father’s car. Maddie advises her to phone the emergency services immediately for help as she and her husband decide to drive to Alice’s aid in the middle of the forest on Hallow Road.
What ensues is one of the most intense and heart-stopping car rides on film. Reminiscent of Tom Hardy in Stephen Knight’s Locke (2013) Pike and Rhys spend most of the time in a vehicle, on the phone, and in their case speaking to their distraught daughter in a hair-raising race against time. A fellow critic told me how, during the first half-hour, he had to continually remind himself this was just a film because it felt so real. The tension and the suspense were insane.

MARIA DUARTE recommends a tough love story that unfolds among mental health issues, drug addiction and inadequate housing


