MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
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Different, but still the same
Magnificence, set in a class-divided Britain 40 years ago, bears an uncanny resemblance to the state of the nation now, says MAYER WAKEFIELD
PAUL DONOVAN recommends the fine performances in this account of the pre-war meeting between the US president and the British king
TECLYN AROD relishes an intimate celebration of jazz improvisation that mixes local and national musicians
The missing sister, the vengeful WAG, cruise ship claustrophobia, and reanimated Avengers
Three great releases of lost concerts by Duke Ellington Orchestra, John Taylor & Stan Sulzman, and Joe Henderson
To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
Magnificence
Finborough Theatre,
London SW10
4/5
IT’S a real surprise that it has taken 40 years for Howard Brenton’s Magnificence to find its way back onto a London stage.
Luckily, the Fat Git theatre company have revived it at an optimum time and in an ideal setting.
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GEOFF BOTTOMS recommends the unashamedly light-hearted escapism on offer in this stage version of the 1963 film
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth