Latest editorial
A recent Financial Times column on the Iran war exemplifies how the Western elite worldview is more concerned with strategy and power than legality or human life, writes ANDREW MURRAY
Powerful, allusive sounds of Philadelphia
STEVE BISHOP considers the prospects for a settlement of the conflict and how the demands of both sides are being viewed
The PM is drawing cautious distance from Donald Trump over Iran – but history suggests Britain’s support may run deeper than it appears, just as it did during the Vietnam war, says KEITH FLETT
Years of austerity and political failure have left classrooms overcrowded and staff overstretched – now educators are organising across roles to demand change, says ED HARLOW
While US restrictions tighten economic and social pressures on Cuba, international allies and grassroots campaigns are stepping in to support the island’s resilience, writes BERNARD REGAN, secretary of Cuba Solidarity Campaign
Labour’s approach to Scotland reveals a long-running tension between rhetoric and reality, warns PAULINE BRYAN
Albert Heath
Kwanza (The First)
(Elemental)
Jimmy Heath
Picture of Heath
(Elemental)
KWANZA (Swahili for “first”), an album released on the Xanadu label in 1973, was a first for three reasons.
It was Albert “Tootie” Heath’s first album as leader, his first as composer and for the first time on record the three musical Heath brothers had played together as a trio — drummer Tootie, reedman Jimmy and bassist Percy, combining for Percy’s tune Oops!
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