Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Youthful determination
Lise Leplat Prudhomme excels in her second outing as the Maid of Orleans, says MARIA DUARTE
Lise Leplat Prudhomme
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
Peter Mitchell's photography reveals a poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
Joan of Arc
Directed by Bruno Dumont
WHAT is it about Joan of Arc that instils such passion and obsession?
Hollywood legend Ingrid Bergman, apparently obsessed with “the Maid of Orleans,” played her both on stage and screen twice, while French film-maker Bruno Dumont returns with this, a sequel to Jeannette: The Childhood of Joan of Arc – which explored Joan at the age of eight through song and music.
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