MARIA DUARTE reviews Desperate Journey, Blue Moon, Pillion, and Wake Up Dead Man: A Knives Out Mystery
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Wondrous Windy City women
WILL STONE enjoys a set by an artist too eclectic to be pigeonholed
RUTH AYLETT reviews two collections of outright political poetry
The book feels like a writer working within his limits and not breaking any new ground, believes KEN COCKBURN
PRAGYA AGARWAL recommends a collection of drawings that explore the relation of indigenous people to the land in south Asia, Africa and the Caribbean
CHRIS SEALE speaks to Palestinian sound artist BINT MBAREH
MARY CONWAY applauds a brave and timely two hander that explores the difference between intimacy and abuse
SINCE the late 1960s, Art Ensemble of Chicago has been tearing open the sound fabric of complacent jazz. The quintet have forged sonic waves that were revolutionary in their conception and audacious in their every note.
Now, of the original pioneers, only septuagenarian master multi-reedman Roscoe Mitchell and veteran drummer Famoudou Don Moye remain, outrageous and eternal fixtures of the music.
New instrumental voices have changed their sound. Young bassman Junius Paul and the Houston-born trumpeter Hugh Ragin play in the long-held places of Malachi Favors, Lester Bowie and Joseph Jarman.
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