MATTHEW HAWKINS contrasts the sinister enchantments of an AI infused interactive exhibition with the intimacies disclosed by two real artists
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Gordon Parsons' best books of the year
ANDY HEDGECOCK relishes a graphic portrayal of the corrosive impact of commodification, but can’t sympathise with the characters
New releases from Van Morrison, Tyler Ballgame, and Dry Cleaning
RON JACOBS welcomes a timely history of the Anti Imperialist league of America, and the role that culture played in their politics
STEVE ANDREW appreciates a passionate account of the Scottish Club during the ‘lost decade’
By telling the story of a lawless frontier town from the point of view of the Lakota, Chinese labourers, prostitutes and displaced prospectors, makes for a potted history of capital, suggests ALEX HALL
THE UNIQUE horror of WW2 still hangs like a pall over the contemporary world and East West Street: On the Origins of Genocide and Crimes Against Humanity — a remarkable combination of personal memoir, detective thriller and historical research — is another grim reminder of it.
International human rights lawyer Phillippe Sands was inspired to embark on this exhaustive quest by the total silence of his Jewish grandfather on his life before the war.
He came from Lemburg, now Lviv in Ukraine, one of those places that became the billiard ball of 20th century warfare. His grandson’s curiosity led to the discovery that this was also the home of two remarkable legal minds who were to shape modern international law.
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Looking for moral co-ordinates after a tough year for rational political thinking and shared human morality
Paul MacGee of Manifesto Press invites you to a special launch on Saturday August 2.
ANDY HEDGECOCK welcomes an explanation of genocide by the persecuted author that is both uplifting and important
Political manipulation of history and exceptionalising of anti-semitism as a shield for Israeli war crimes are having a harmful effect on the fight against all racism and fuelling a cynicism that’s especially dangerous in today’s world, argue JULIA BARD and DAVID ROSENBERG