In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
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Weird but wonderful Cults offering
Madeline Rollin
[Suqpecoc/Creative Commons] 
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
MATTHEW HAWKINS is mesmerised by a performance that dissolves the line between audience and performer
MATTHEW SHARPE recommends the essays of a Renaissance politician that instruct and unnerve after 400 years
GAVIN O’TOOLE welcomes the reissue of a seminal work of revolutionary theory that have genuine relevance in the current context
RON JACOBS rides shotgun with a member of Black Bloc on the wave of anti-capitalist protests of the 1990s and early 2000s
Cults
Garage, London
NEW YORK’S Cults, in Europe touring on the back of the release of third album Offering, are the dream-pop duo.
Expanded to a five-piece when playing live, they turned up at the Garage somewhat lighter after getting robbed earlier in the day. But that doesn’t stop a striking 14-song set taking punters on whirlwind ride into their weird indie-pop world.
Centre of attention throughout is lead singer and lyricist Madeline Rollin, whose distinctive dancing — or rather, rocking — complements her breathless, beautiful and childlike delivery.
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