EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
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Mixed blessings in Phoenix commemoration of Windrush arrival
Unwelcome message: Windrush
[Brian Slater]
BENJAMIN POTHIER suggests that Palaeolithic cave paintings in Spain point to the ceremonial use of hallucinogenic flora
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
JOHN GREEN relishes a powerful and moving drama that explores the lived realities of west London’s Punjabi community
MARTIN HALL welcomes a plea for greater compassion between believer and non-believer via the framework of philosophical enquiry
Phoenix Dance Theatre: Mixed Programme
West Yorkshire Playhouse, Leeds/Touring
PHOENIX Dance Theatre’s latest mixed programme comes with much anticipation for new piece Windrush: Movement of the People.
A commemoration of the 70th anniversary of the SS Empire Windrush's arrival in Britain with emigrants from the Caribbean, it headlines a bill that opens with Aletta Collins’s Maybe Yes Maybe, Maybe No Maybe.
Created in 2009, the company favourite turns the voices of five dancers into a bold electronic soundtrack. Wittily blending beats with movement, the action is framed within a shifting circle of light in the centre of which dangles a solitary microphone.
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