PRAGYA AGARWAL recommends a collection of drawings that explore the relation of indigenous people to the land in south Asia, Africa and the Caribbean
RARELY has the phrase "poetic justice" had a sweeter or more appropriate application.
Last Friday week, I was on stage at the Bob Crow Education Centre in Doncaster doing a gig for the RMT as part of their summer festival when the news came through that Charles Horton had resigned. Celebrations ensued.
Horton, as long-suffering passengers and railway staff will know, was the boss of Govia Southern, the simultaneously vindictively and totally ineptly run government-backed franchise which Grayling and his minions earmarked to push through the driver-only train legislation so bitterly opposed by the RMT.
Warming up for his Durham gig, the bard pays attention to the niceties of language
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess



