MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
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Poe-faced pleasure from the masters of hilarious horror
Utterly compelling: Martyn Jacques (centre) Pic: Thor Brodreskift
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China
JOHN GREEN is fascinated by a history that excavates the enormous role played by agricultural workers in recent times
ALEX HALL recommends a book that places empirical evidence at the heart of understanding racism
Haunted Palace
Queen Elizabeth Hall, London
THE TIGER LILLIES, for those who don’t know, are the country’s foremost purveyors of what has been described as “Brechtian punk cabaret.”
Led by the inimitable Martyn Jacques — whose grimacing sneers, circus make-up and ludicrous falsetto somehow evoke an undead Ann Widdecombe, complete with Chelsea smile — they have perfected the art of being both thoroughly repulsive and utterly compelling.
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