DENNIS BROE finds much to praise in the new South African Netflix series, but wonders why it feels forced to sell out its heroine
Poe-faced pleasure from the masters of hilarious horror
Utterly compelling: Martyn Jacques (centre)
[Thor Brodreskift] 
CARL DEATH introduces a new book which explores how African science fiction is addressing climate change
In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
MATTHEW HAWKINS is mesmerised by a performance that dissolves the line between audience and performer
MATTHEW SHARPE recommends the essays of a Renaissance politician that instruct and unnerve after 400 years
GAVIN O’TOOLE welcomes the reissue of a seminal work of revolutionary theory that have genuine relevance in the current context
Haunted Palace
Queen Elizabeth Hall, London
THE TIGER LILLIES, for those who don’t know, are the country’s foremost purveyors of what has been described as “Brechtian punk cabaret.”
Led by the inimitable Martyn Jacques — whose grimacing sneers, circus make-up and ludicrous falsetto somehow evoke an undead Ann Widdecombe, complete with Chelsea smile — they have perfected the art of being both thoroughly repulsive and utterly compelling.
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GEORGE FOGARTY falls under a spell of an unpretentious gathering that is as edifying as it is entertaining
GEORGE FOGARTY is stunned by the epic and life-affirming sound of an outstanding Palestinian musical collective
GEORGE FOGARTY is mesmerised by the messages made when jazz is played by people who grew up steeped in jungle and hip-hop
GEORGE FOGARTY applauds a show that punches down alt-right-friendly comedy
